Northern Japan #2: Hakodate, Hokkaido

Late August 2009

(Saturday evening, Sunday)

Character. The word sprang unbidden to my head. Hakodate has character.



Bright cutesy cartoons of sea life splashed the faded shops of the Asa-ichi, the morning fish market. Although it was evening, a few men and women still hawked their wares: whole crabs in crates of ice, stacks of corn, and green overpriced melons. In front of one shop, a small white rowboat was being used as a tank—for crabs, I assumed. But when I looked inside—zip, zip, zip—sleek purple squids skimmed the surface of the water.



Other places sold food—rice bowls topped with pieces of shredded white crab meat, glowing red fish eggs, or amorphous orange sea urchin blobs. One clever dish used somen noodles to form the body of a squid, strips of sashimi for tentacles, and real fish eyeballs for …well… the eyes. It was barely five, but people were already standing outside and holding out dinner menus.



“Irasshaimase. Iikaga desho.”
“Won’t you come in? It’s good.”



But when I say that Hakodate had character, I don’t just mean the fish market. At the Hakodate JR Station, artistic statues intersected with huge souvenir shops, an open bay with the skyscrapers of downtown. A mural on the side of a department store depicted gray towers and white church steeples, painted in an old-fashioned style that for some reason reminded me of the 1950s. “Welcome to Hakodate,” it said. Just below the mural—or was it part of it?—sat a small picture of a beer bottle and the words “Sapporo Soft.”

Character. I can’t describe it any other way.



Sunday morning greeted me with a sharp, piercing earache. I stuffed my left ear with cotton, but it throbbed every time I swallowed a piece of my chocolate-swirled melon bread. As the day went on—and I kept sucking on Halls throat drops—the pain eased. But it never entirely went away.




I walked the fort of Goryo-kaku first thing in the morning. Across a bridge, up a mound of earth, to a museum showing cannons from a battle. But try as I may, I could not make out the famous star shape of the fort. It wasn’t until I took the elevator to the top floor of Goryo-kaku Tower and saw the fort from a bird’s eye view that I understood. The sudden bend in the road I walked—that was the arrow-head point of the star jutting out.



But I am a girl of strange taste. I did not marvel for long at the breath-taking view of the city below for the top floor of Goryo-kaku Tower also featured several lovingly crafted miniatures acting out the history of the fort. That and an English pamphlet held me completely entranced.



Many ships of the rebel army had already capsized in the rough waves of October, but those that survived pulled onto the shore. Among them was Hijikata Toshizo, “demon of the Shinsengumi” and now the military leader of the struggling group of soldiers. They attacked Goryo-kaku fort and took it as their own. Those few that resisted the Meiji government built the Republic of Ezo in December of 1868. But by spring of 1869, the Imperial army had come.



Hijikata knew death was approaching. “I am not going to battle to win. …I will fight the best battle of my life to die for the country.” The detailed miniature shows him astride his horse, sword drawn, mouth open in mid-yell. He was shot down dead.



Nowadays, the gift shops at the bottom of the tower sell key chains, towels, and file folders with his image plastered on. There are also a couple of Hijikata statues floating around. I induced a lady wearing eccentric clothing to take my picture with one such statue. Then I selfishly talked her ear off for a good twenty minutes about Hijikata, the Shinsengumi, the Bakumatsu, and Japanese history in general. She was a good sport; she even gave me her address.



In the shadow of Hijikata is a lesser known statue: Enomoto Takeaki—the president of the Republic of Ezo, perhaps the only president in all Japan. After he surrendered in May 1869, he went on to serve in the Meiji government as ambassador, among other positions. I didn’t know much about him at the time, so I didn’t pose for a picture near his statue. But later, when I checked my Wikipedia sources and learned about his life, I grew to respect him. By not dying, by serving the government that defeated him, he actually helped create the Japan we know today. And in my heart of hearts, I admire that more than all the myth and hoopla over Hijikata.



It was now about 11:00, and I decided to eat lunch. Fortunately, just down the road sat Lucky Pierrot, a quirky little hamburger restaurant decorated with a giant clown head and religious paintings from the Italian Renaissance. I ate the #1 popular Chinese Chicken burger. It was delicious. Not in a fine dining sort of way, but cheap, good, and fun. The tourists besides me took pictures of their meals. Apparently, this Hakodate chain was an attraction in and of itself.



After a brief visit to the sight of Hijikata’s last stand, I rode the tram to the old Motomachi district. Black lampposts climbed the hill. A statue of a boy stood near a ship’s steering wheel and looked down, down to the bay below. A bronze lady in a puff-sleeved dress and flowered hat sat in neat squares of red and white flowers. At the top of the hill a yellow-trimmed Victorian house stood and bushes of violet Hydrangeas gathered near four copper men. To the right lay a green field and a solitary statue of Commodore Matthew Perry. To the left, a white colonial building with a blue doorframe and blue windowsills. The old British Consulate.



I had tea at the British Consulate. The lady working there brought me a steaming tea pot and cake with fresh cream and rose syrup. While waiting for the tea to brew, I read over the museum information. The Consulate was established to look after the needs of British citizens abroad, but under the guidance of Consul Eusden, it evolved into a place of international cooperation and exchange. I strained the leaves from my tea pot and took a bite of my cake. The syrup was delicious. I could taste the texture of the petals, yet it was sweet.



I spent the afternoon walking idly from museum to museum in the Motomachi district. The Canemori general store had been turned into the Museum of Local History, and it had old bottles of beer and cans of venison. I tried to talk history with the men inside, but I couldn’t for the life of me fathom they were saying. I visited the Museum of Northern Peoples and then walked along the bay, snapping photos of statues near the waterfront.



For dinner I ate curry soup—a specialty of Hokkaido. My order was a coconut, seafood curry. A little spicy, it reminded me of Thai or Indian curry. I liked the oysters and eggplant especially. The sun began to set. I crossed a bridge near the old Mori warehouses, brick, turned into stores now. Boats rested in the bay and jellyfish bobbed in the water. I caught part of the Sai World Music and Dance Festival. An Indian man sang beautifully, and a French group of dancers made me laugh.



At the end of the day, my ear still hurt. I had acquired a headache around midday and it lingered long into the evening. But something had changed. It was 8:00 and I didn’t feel the least bit tired; walking back to my hotel, I smiled and hummed music from the festival. For the first time on my vacation, I really had fun. My lethargy faded; little by little, I was beginning to feel healthy again.